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|Em deutschland gegen irland||The main theme is a little similar to Alfred Newman's How The West Was Won and showcases a powerful brass section and graceful strings. Warum hat er einen so schlechten Ruf? Von Resteleser am Ansichten Lesen Bearbeiten Quelltext bearbeiten Versionsgeschichte. Bernstein had a champions league finalisten statistik help for this em 2019 deutschland nächstes spiel. Und so etwas als Hollywoodfilm mit Will Smith in der Hauptrolle? Kevin Kline gibt sehr stilvoll naja, bis auf die Nummer mit der Travestie jedenfalls einen Geheimagenten, der mit dem durch Will Smith gespielten Mr.|
Wild wild west -West und Gordon wollen dies unter allen Umständen unterbinden, können aber zunächst nicht verhindern, dass Loveless Präsident Grant entführt, als dieser gerade bei der Vollendung der ersten transkontinentalen Eisenbahnverbindung anwesend ist. Wird oft zusammen gekauft. Aber, das war doch zu erwarten, oder? Elmar Bernstein versteht es den Wilden Westen einzufangen mit seinem Score! Wo ist meine Bestellung? One thing I might mention is that when watching the actual film, one can decipher Bernstein's interpretation of the original t. Auch viele Fernsehserien griffen das Genre auf, so etwa die TV-Produktionen Bonanza und Rauchende Colts als Beispiele für zwei der auch im deutschsprachigen Raum erfolgreichsten und bekanntesten Fernsehreihen, die üblicherweise im wöchentlichen Rhythmus zwei Jahrzehnte lang mit in sich abgeschlossenen Folgen fortgesetzt wurden.
Henry Sharp, the series' story consultant, would sketch the preliminaries of the designs eccentrically numbering every sketch "fig.
Wells , and Jules Verne. They pitched the idea for a film to 20th Century Fox , but studio turned them down. After Ratoff died in , his widow and Garrison sold the film rights to Charles K.
Feldman eventually produced the spoof Casino Royale in In a later deposition, Ralston explained that he was approached by Michael Garrison, who "said he had an idea for a series, good commercial idea, and wanted to know if I could glue the idea of a western hero and a James Bond type together in the same show.
It was his idea, for example, to have a secret agent named Jim West who would perform secret missions for President Ulysses S. Ralston later sued Warner Bros.
As indicated by Robert Conrad on his DVD commentary, the show went through several changes in producers in its first season. This was apparently due to conflicts between the network and Garrison, who had no experience producing for television and had trouble staying on budget.
At first, Ben Brady was named producer, but he was shifted to Rawhide , which had its own crisis when star Eric Fleming quit at the end of the season.
That series lasted for another thirteen episodes before it was cancelled by CBS. The network then hired Collier Young. The Rogues , which he had produced, was about con men who swindled swindlers, much like the s series Switch.
Young also claimed to have added the wry second "Wild" to the series title, which had been simply "The Wild West" in its early stages of production.
His shows featured a butler named Tennyson who traveled with West and Gordon, but since the episodes were not broadcast in production order, the character popped up at different times during the first season.
Conrad was not sorry to see Young go: All that guy did creatively was put the second 'wild' in the title. CBS did the right thing.
Young's replacement, Fred Freiberger , returned the series to its original concept. It was on his watch that writer John Kneubuhl , inspired by a magazine article on Michael Dunn , created the arch-villain Dr.
Phoebe Dorin, who played Loveless' assistant, Antoinette, recalled: Garrison said to himself, 'Michael Dunn would make the most extraordinary villain.
People have never seen anything like him before, and he's a fabulous little actor and he's funny as hell. He came backstage and he told us who he was and he said he was going to do a television show called The Wild Wild West and we would be called.
We thought, 'Yeah, yeah, we've heard all that before. And that's how it started, because he saw the nightclub act. Because of health problems, Dunn could only appear in 10 episodes instead of After ten episodes 5—14 , Freiberger and executive producer Michael Garrison were, according to Variety, "unceremoniously dumped," reputedly due to a behind-the-scenes power struggle.
Garrison was replaced by Phillip Leacock, the executive producer of Gunsmoke , and Freiberger was supplanted by John Mantley, an associate producer on Gunsmoke.
The exchange stunned both cast and crew. He turned the matter over to his attorneys. Freiberger said, "I was fired for accomplishing what I had been hired to do.
I was hired to pull the show together when it was in chaos. Let's face it, the show is healthy.
I think Fred Freiberger is totally correct in his concept of the show. It's an administrative change, for what reason I don't know.
Mantley produced seven 15—21 episodes then returned to his former position on Gunsmoke , and Gene L. Coon took over as associate producer.
By then, Garrison's conflict with CBS was resolved and he returned to the executive producer role. Coon, however, left after six episodes 22—27 to write First to Fight , a Warner Bros.
Garrison produced the last episode of season one and the initial episodes of season two. Garrison's return was much to the relief of Ross Martin, who once revealed that he was so disenchanted during the first season that he tried to quit three times.
He explained that Garrison "saw the show as a Bond spoof laid in , and we all knew where we stood.
Each new producer tried to put his stamp on the show and I had a terrible struggle. I fought them line by line in every script.
They knew they couldn't change the James West role very much, but it was open season on Artemus Gordon because they had never seen anything like him before.
On August 17, , however, during production of the new season's ninth episode, "The Night of the Ready-Made Corpse", Garrison fell down a flight of stairs in his home, fractured his skull, and died.
CBS brought in Bruce Lansbury , brother of actress Angela Lansbury , to produce the show for the remainder of its run. When he was tapped for The Wild Wild West, Lansbury was working with his twin brother, Edgar , producing legitimate theater on Broadway.
The first season's episodes were filmed in black and white, and they were darker in tone. The acre lot was formerly the home of Republic Studios , which specialized in low-budget films including Westerns starring Roy Rogers and Gene Autry and Saturday morning serials which The Wild Wild West appropriately echoed.
In the mids the western streets and sets were replaced with new sound stages and urban facades, including the New York streets seen in Seinfeld.
In the lagoon set that was originally constructed for Gilligan's Island was paved over to create a parking lot. Footage of this train, with a 5 replacing the 3 on its number plate, was shot in Jamestown, California.
When The Wild Wild West went into series production, however, an entirely different train was employed.
The locomotive, a named the Inyo, was built in by the Baldwin Locomotive Works in Philadelphia. The Inyo, as well as the express car and the passenger car, originally served the Virginia and Truckee Railroad in Nevada.
Footage of the Inyo in motion and idling was shot around Menifee, California , and reused in virtually every episode.
Stock footage of Sierra No. These trains were used only for exterior shots. Neither Stage 6 or the western streets still exist.
The State of Nevada purchased the Inyo in ; it was restored to vintage, including a wider smoke stack and a new pilot cow catcher without a drop coupler.
The express car No. For its role as "The Wanderer" in the motion picture, the engine was sent to the steam shops at the Strasburg Railroad for restoration and repainting.
The Wild Wild West featured numerous, often anachronistic, gadgets. Some were recurring devices, such as West's sleeve gun or breakaway derringer hidden in his left and right boot heels.
Others appeared in only a single episode. The main title theme was written by Richard Markowitz , who previously composed the theme for the TV series The Rebel.
He was brought in after the producers rejected two attempts by film composer Dimitri Tiomkin . The Series included in the first season DVD boxed set, Markowitz recalled that the original Tiomkin theme "was very, kind of, traditional, it just seemed wrong.
That took it away from the serious kind of thing that Tiomkin was trying to do What I did essentially was write two themes: Markowitz, however, was never credited for his theme in any episode; it is believed [ by whom?
Markowitz did receive "music composed and conducted by" credits for episodes he'd scored such as "The Night of the Bars of Hell" and "The Night of the Raven" or where he supplied the majority of tracked-in cues for example in "The Night of the Grand Emir" and "The Night of the Gypsy Peril".
He finally received "theme by" credit on both of the TV movies, which were scored by Jeff Alexander rather than Markowitz few personnel from the series were involved with the TV movies.
The animated title sequence was another unique element of the series. The screen was divided into four corner panels surrounding a narrow central panel that contained a cartoon "hero".
In the three seasons shot in color, the overall backdrop was an abstracted wash of the flag of the United States , with the upper left panel colored blue and the others containing horizontal red stripes.
Each episode had four acts. At the end of each act, the scene, usually a cliffhanger moment, would freeze, and a sketch or photograph of the scene faded in to replace the cartoon art in one of the four corner panels.
The style of freeze-frame art changed over the course of the series. In all first-season episodes other than the pilot, the panels were live-action stills made to evoke 19th-century engravings.
In season two the first in color the scenes dissolved to tinted stills; from "The Night of the Flying Pie Plate" on, however, the panels were home to Warhol -like serigraphs of the freeze-frames.
The end credits were displayed over each episode's unique mosaic except in the final season, when a standardized design was used curiously, in this design the bank robber is unconscious, the cardsharp has no card and the lady is on the ground, but the sixshooter in the upper left-hand panel has returned.
The freeze-frame graphics were shot at a facility called Format Animation. During the first season, the series title "The Wild Wild West" was set in the font Barnum,  which resembles the newer font P.
In subsequent seasons, the title appeared in a hand-drawn version of the font Dolphin which resembles newer fonts called Zebrawood, Circus, and Rodeo Clown.
Robert Conrad's name was also set in this font. Ross Martin's name was set in the font Bracelet which resembles newer fonts named Tuscan Ornate and Romantiques.
All episode titles, writer and director credits, guest cast and crew credits were set in Barnum. The series is generally set during the presidency of Ulysses S.
Grant , —77; occasional episodes indicate a more precise date:. Some episodes were violent for their time, and that, rather than low ratings, ultimately was the series' downfall.
In addition to gunplay, there were usually two fight sequences per episode. After he suffered a concussion filming "The Night of the Fugitives," the network insisted that Conrad defer to a double.
His chair on the set was newly inscribed: Often, George would start a stunt, such as a high fall or a dive through a window, then land behind boxes or off camera, where Conrad was concealed and waiting to seamlessly complete the action.
This same ploy was often used by Ross Martin and Bob Herron. It was hazardous work. Hughes recalled, "We had a lot of crashes.
We used to say, 'Roll the cameras and call the ambulances. A broken skull for Red West. Broken leg for Jimmy George. Broken arm for Jack Skelly. He did his own stunts.
And on and on. Following the assassinations of Dr. One of the questions it tackled was whether violence on television was a contributing factor to violence in American society.
This also included graphic news coverage of the Vietnam War. The television networks, anticipating these allegations, moved to curtail violence on their entertainment programs before the start of the season.
However, despite a CBS mandate to tone down the mayhem, "The Night of the Egyptian Queen" aired November 15, contains perhaps the series' most ferocious barroom brawl.
A later memo attached to the shooting script of "The Night of Miguelito's Revenge" aired December 13, reads: The producer respectfully asks that no violent acts be shot which are not depicted in the script or discussed beforehand.
James West rarely wears a gun, and rather than the usual fisticuffs, fight sequences involved tossing, tackling or body blocking the villains.
The most caustic of the commissioners, Rep. Three months later, in March , Sen. Congress's concern was shared by the public: After being excoriated by two committees, the networks scrambled to expunge violence from their programming.
The Wild Wild West received its cancellation notice in mid-February, even before Pastore's committee convened. It was seen by the network as a gesture of good intentions.
Conrad denounced Pastore for many years, but in other interviews he admitted that it probably was time to cancel the series because he felt that he and the stunt men were pushing their luck.
He also felt the role had hurt his craft. I jumped off roofs and spent all my time with the stuntmen instead of other actors.
I thought that's what the role demanded. That role had no dimension other than what it was—a caricature of a performance.
It was a comic strip character. Curiously, none of these featured Dr. CBS-TV was never really very eager to cancel this series, since over a four-year run that began in the Wild Wild West had been a solid winner in the ratings.
Cancellation came mainly because CBS officials were concerned about the criticism over televised violence and to a lesser degree because Robert Conrad had grown slightly weary of the role of James West.
None of the replacements have done nearly as well and, as a result, all of the Friday programs suffered.
That fall, CBS put the program into syndication , giving it new life on local stations across the country.
This further antagonized the anti-violence lobby, since the program was now broadcast weekdays and often after school. The suit said the series "contains fictionalized violence and horror harmful to the mental health and well-being of minor children", and should not air before 9 pm.
Corporan, was quoted as saying, "Since programs directed specifically at children are broadcast in the late afternoon by three other TV stations, it is our purpose to counter-program with programming not directed specifically at children.
Court of Appeals upheld the district court decision dismissing the suit on the grounds that FIT had not exhausted the administrative remedies available to them.
By then, WTOP had stopped broadcasting the series altogether. Additionally, the NABB cited 81 syndicated live-action shows that "may have a detrimental influence on some children who are exposed to such programming without parental guidance or perspective" when they are telecast before 8: In Los Angeles, such shows opened with a cautionary announcement: By then The Wild Wild West was running on 99 local stations.
By the spring of the original series was still carried on 74 local stations. In the late s the series was still seen on local stations in Boston, Hartford, Philadelphia, Pittsburgh and Los Angeles, among other cities.
Significantly, WGN Chicago , which carried the show at 10 a. The series was dropped from WGN soon after. Hallmark Channel aired the series in as part of its slate of Saturday afternoon Westerns but dropped it after only a few weeks.
While the series became scarce on television, each season was released on DVD, beginning with season one in and concluding with the final season early in see below.
You must be a registered user to use the IMDb rating plugin. Learn more More Like This. Men in Black II Agent J needs help so he is sent to find Agent K and restore his memory.
Men in Black 3 Men in Black Bad Boys II Enemy of the State Edit Cast Cast overview, first billed only: James West Kevin Kline Arliss Loveless Salma Hayek Amazonia as Frederique van der Wal Musetta Vander Miss Lippenrieder Bai Ling Miss East Garcelle Beauvais Other Reb Rodney A.
It doesn't get any wilder than this. Edit Details Official Sites: Edit Did You Know? Hayek in particular thought she was being underused, while Kline considered himself too good of an actor for the finished product.
Goofs As West rides down Pennsylvania Avenue from the White House in , 20th-century overhang highway lights are visible behind the trees in the background.
Quotes [ Preparing a flying machine ] Artemus Gordon: Although he was considered insane by his peers, Bernoulli's theory states that the air flowing over a bird's wing is at a lower pressure than the air flowing under the wing.
That's called "lift," and that is what we're now going to Of course, it's only a theory, it's never been tested Add the first question.
Was this review helpful to you? Yes No Report this. Audible Download Audio Books. Girl In Water Tower.DVD Sep 07, "Bitte wiederholen". Finanziell blieb Wild Wild West hinter den Erwartungen zurück. Amazon Business Kauf auf Rechnung. Klicke auf einen der Sterne: Erreichen will Loveless dies mit einer gigantischen und schwer bewaffneten Metallspinne, die ihm die entführten Wissenschaftler bauen mussten. Er brachte dem Kinofilm eine starke Abneigung entgegen und lehnte einen Cameo ab. Durchdrungen von Vorstellungen über Freiheit , Männlichkeit , Recht des Stärkeren , Kampf um das Eigentum und ähnlichen Klischees  kam es zu einer Mythologisierung und Trivialisierung der US-amerikanischen Pionierzeit, wobei die Grenzen zwischen historischen Fakten, Legendenbildung und frei erfundenen Geschichten oft verschwimmen. Ihre zuletzt angesehenen Artikel und besonderen Empfehlungen. Brawl in Cell Block 99 ist ein Härtetest für die Zuschauer. Verkauf durch , Lieferung durch Amazon Fulfillment. Weitere Artikel aus Oktober Gehen Sie casino tv show 2017 Amazon. Auf Lager, schneller Versand aus Deutschland. Seit seinem Meisterwerk ist sich Bernstein, was die Instrumentierung und Dynamik von Western-Scores anbelangt, absolut treu geblieben - was einen gewollten sofortigen Wiedererkennungswert zur Folge hat. Freigegeben ab 12 Jahren Studio: Arliss Loveless Salma Hayek: Aber der Film will ja eigentlich mehr. Alle 77 Rezensionen anzeigen. Back to the Wild Wild West. The Rat Patrol — Other Reb Rodney A. He was brought in after the producers rejected two attempts by film composer Spela Haunted House Spelautomat på nätet på Casino.com Sverige Tiomkin . This plot is similar to the second-season episode transfermarkt.de liverpool Night of the Brain". A year later, he noted that Wild Wild Westwith Peters on board as producer, was released with handball 3. liga liveticker inclusion of a giant mechanical spider in the final act. The two best hired Beste Spielothek in Oelinghoven finden in the West must save President Grant from the clutches of a nineteenth-century inventor-villain. In a deposition, Ralston explained that in he was approached by producer Michael Garrison internet casino eroffnen '"said he had an idea for a series, good commercial idea, and wanted to know if I could osiris casino registrierungscode the idea of a western hero and a James Bond type together in the same show. The film's orchestral score including its main theme was composed and conducted by Elmer Bernsteina veteran of many western film scores such as The Magnificent Seven. Two Secret Service Agents, equipped with a wide array of gizmos, work for whirlwind casino government in the Old West. Enemy of Beste Spielothek in Oberweilbach finden State I made a mistake on Wild Wild West.
Wild Wild West VideoWild Wild West S04E07 The Night Of The Fugitives 11 08 1968 Elmar ist hier ein wirklich guter Score gelungen, den ich allen Western Fans fc sevilla stadion empfehlen kann! Weitere Artikel aus Oktober September von Martin Ritter. Das könnte Dich interessieren. So rückten adventskalender jagd die Veränderung der Indianerpolitik stärker in den Mittelpunkt. Später sagte Smith dann, dass er die Rolle ausschlug, weil er sich selbst zu unreif dafür hielt und befürchtete, die Zeitlupenaufnahmen könnten lächerlich aussehen. Die Kriegsspinne scheint unaufhaltsam und Grant steht kurz davor, eine Kapitulationserklärung zu unterzeichnen, da gelingt es West und Gordon, mit Hilfe einer von Gordons Erfindungen auf die Spinne zu gelangen. Sicher, der Film ist fußball frankreich portugal so wild wild west, wie er sein könnte: Very original for a Western. Warum war Wild Wild West ein solcher Misserfolg? Möglicherweise unterliegen die Inhalte jeweils zusätzlichen Bedingungen. Es bleibt der Eindruck, dass alles Machbare auch gemacht wurde. Die dient nämlich nur als schöne Staffage, ansonsten ist ihre Rolle so überflüssig und Outlawed Gunslinger Slot Machine - Free to Play Demo Version wie ein Pickel am Hintern.
A police officer joins a secret organization that polices and monitors extraterrestrial interactions on Earth. Two loose-cannon narcotics cops investigate the flow of Ecstasy into Florida from a Cuban drug cartel.
While helping his latest client woo the fine lady of his dreams, a professional "date doctor" finds that his game doesn't quite work on the gossip columnist with whom he's smitten.
Two hip detectives protect a witness to a murder while investigating a case of stolen heroin from the evidence storage room from their police precinct.
A lawyer becomes a target by a corrupt politician and his N. Jim West is a guns-a-blazing former Civil War hero.
Artemus Gordon is an inventive U. Marshal who excels in disguise. On a hazard-packed train journey from Washington D. As one not familiar with the original series, I cannot say what justice, or lack of justice, this homage does to its source.
Straight Westerns being hopelessly out of fashion, especially for a special effects-driven summertime extravaganza, the filmmakers obviously felt that what was needed was a tongue-in-cheek approach to the material, resulting in a bizarre, but completely unfunny amalgam of fantasy and science-fiction gilded onto a Western format.
The disparate styles simply fight against each other, leaving no one in the audience - neither Western nor science-fiction fans - satisfied.
The alleged plot involves the attempts by James West Will Smith and Artemis Gordon Kevin Kline to foil an evil Confederate inventor's plan to kidnap all the world's most brilliant scientists and, ultimately, terrorize the Union and President Grant into submission.
This he attempts to do by creating a giant mechanized spider which is, obviously, a last ditch, desperate attempt on the part of the filmmakers to fulfill the seemingly insatiable demands of the modern audience to be dazzled by impressive special effects, no matter how inappropriate they appear in context.
Here, though, the miscalculation is fatal because even the audience is wise enough to know when it is being had.
Incidentally, even some of the expensive special effects come across as surprisingly crude, especially many of the shots utilizing rear-screen projection.
Hence, this film strikes out even in the one ballpark in which it might have stood a chance of emerging victorious.
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Keep track of everything you watch; tell your friends. Full Cast and Crew. The two best hired guns in the West must save President Grant from the clutches of a nineteenth-century inventor-villain.
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Learn more More Like This. However, West who had survived thanks to a chain mail vest Gordon gave him disguises himself as a woman and manages to distract Loveless, allowing Gordon to free the captives.
Unfortunately, Loveless escapes on his spider in the ensuing battle, taking the President with him.
To save the President, Gordon and West crash onto the spider via a flying machine as Loveless attacks a small town in an attempt to force Grant to sign the surrender.
After West defeats Loveless' henchmen below a fight ensues between him and Loveless who is now on mechanical legs.
Using a small gun, Gordon shoots a hole in Loveless's hydraulic line, allowing West to gain the upper hand and for Gordon and Grant to defeat Loveless' other guards.
Pleading for his life, Loveless drags himself back to his wheelchair as the spider approaches a cliff. Loveless attempts to shoot West with a concealed gun but instead hits the spider's steam pipes, stopping it just before it plunges into the canyon.
The abrupt stop leaves West and Loveless hanging precariously from the spider. Loveless tries to decide whether he should pull the chair's lever that will release them or not, knowing it will send both him and West to their deaths if he does so.
West decides to pull the lever himself and survives by grabbing the ankles of one of the henchmen he threw out earlier while Loveless falls to his death.
Gordon asks which of them is one and two, but the President brushes off the question as unimportant and tells them they will have plenty of time to talk about it on the way back as he takes The Wanderer.
Gordon and West meet Rita again and they both attempt to court her but she crushes their hopes by announcing that Professor Escobar is actually her husband, not her father.
The film ends as Gordon and West ride into the sunset on the mechanical spider. In January , Variety reported that Warner Bros.
However, Donner and Gibson instead made a theatrical version of Maverick in The Wild Wild West motion picture nevertheless continued in the development stage with Tom Cruise rumored for the lead in Cruise instead revived Mission: Impossible the following year.
Wilson and Brent Maddock were rewriting the script between April and May Seaman were brought aboard for a rewrite.
Filming was expected to begin in January  but was pushed to April 22, The film featured several significant changes from the television series.
Loveless as portrayed by Kenneth Branagh in the film went from a dwarf to a man without legs; his first name was also changed from Miguelito to Arliss and was given the motive of a Southerner who sought the defeat of the North after the Civil War.
Kevin Kline plays Gordon whose character was similar to the version played by Ross Martin except that he was much more competitive with Jim West besides being much more egotistical.
The film script had Kline's Gordon invent more ridiculous, humor-related and implausible contraptions than those created by Martin's Gordon in the television series.
The film also depicted West and Gordon as aggressive rivals whereas in the television series West and Gordon had a very close friendship and trusted each other with their lives.
Additionally, on the TV series West was portrayed by Robert Conrad , a Caucasian rather than an African American — which serves a critical plot point as West's parents were among the victims of Loveless's massacre at New Liberty.
Jon Peters served as producer along with director Sonnenfeld. The first demand was that Superman not wear the suit, the second was that Superman not fly and the third was to have Superman fight a giant spider in the third act.
A year later, he noted that Wild Wild West , with Peters on board as producer, was released with the inclusion of a giant mechanical spider in the final act.
Principal photography began in The sequences on both Artemus Gordon's and Dr. Loveless's trains interiors were shot on sets at Warner Bros. The train exteriors were shot in Idaho on the Camas Prairie Railroad.
During pre-production the engine was sent to the steam shops at the Strasburg Railroad for restoration and repainting.
The "William Mason" and the "Inyo" which was the locomotive used in the original television series both appeared in the Disney film The Great Locomotive Chase.
During the shooting of a sequence involving stunts and pyrotechnics, a planned building fire grew out of control and quickly overwhelmed the local fire crews that were standing by.
Much of the town was destroyed before the fire was contained. The film's orchestral score including its main theme was composed and conducted by Elmer Bernstein , a veteran of many western film scores such as The Magnificent Seven.
The score mainly follows the western genre's symphonic tradition, while at times also acknowledging the film's anachronistic playfulness by employing a more contemporary music style with notable rock percussion and electronic organ.
The score also briefly incorporates Richard Markowitz's theme from the television series in one cue uncredited in the film and not included on the album — ironically, this was one of the few elements to be faithful to the original series which also didn't credit Markowitz for the theme.
Additional parts of the score were composed by Elmer Bernstein's son, Peter and daughter Emilie served as one of the orchestrators and producers.
Wild Wild West was a 1 hit on the U. The site's critical consensus reads, "Bombastic, manic, and largely laugh-free, Wild Wild West is a bizarre misfire in which greater care was lavished upon the special effects than on the script.
You stare in disbelief as scenes flop and die. The movie is all concept and no content; the elaborate special effects are like watching money burn on the screen.
A video game titled Wild Wild West: The Steel Assassin was published in to tie-in with the film's release.
In , writer Gilbert Ralston sued Warner Bros.